WEBVTT
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Year Joe, straight from the broadcast studio and then the
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static This ain't no pret sound story. So as prophetic
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encrypt the signals from the shadows of the party we
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did where the trot got secret snow parted, microphone alchemists
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scriptures with a twist, peep the frequency seeds in the
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midst we dropped fass like plagues revelations in the catus,
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broadcasting truth while they trapped in surveillans wisdom with a
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watchman's blade forth whattsund while your whole system fade blood
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moons that for love echoes in the pond sas frost
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through the fault lines of time.
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We ain't mainstream, we ain't just stream safer with the
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prophets to code the dreams.
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So with you troom in better guards to mind is
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broadcasting seeds and were breaking the design of design. Yeah
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yeh yo yo, straight from the broadcast studio.
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Stad So Lockwood, Trump Tesla and the timeline we're not
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supposed to see. All right, friends, I want you to
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take a deep breath because what we're about to get
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into this isn't just another mystery or an old book
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with some weird coincidences. This is the one you're listening
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to broadcasting Seeds and this episode, this right here, is
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the full tilt dive, full tilt dive into Ingersoll Lockwood,
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the man behind a stack of books that frankly shouldn't
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exist the way that they do. We're talking Baron Trump,
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the last President, time travel Tesla, esoteric breadcrumbs, and a
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strange character named Don Fume, Don Fume who may not
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be a fictional character at all. And no, we're not
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just recapping the original episode that I did and it's
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my most popular episode. This is a full expansion, a
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deeper investigation, and really an update. And for those of
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you who've been following the trail, you already know this
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is the most requested, most downloaded, and most talked about
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topic I've ever covered period. I don't necessarily understand that
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and why that is because to me, it's not one
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of my best episodes, but I want to be hear
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about something. I'm not here to tell you what to think.
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I'm just here to lay the story out, the real story,
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so you can start connecting the dots for yourself. Because
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if you're paying attention, you're going to realize very quickly
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this isn't fiction anymore? And what if I told you
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that a man born in eighteen forty one, a lawyer
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and diplomat appointed by Abraham Lincoln, wrote a series of
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books that seem to forecast Donald Trump, Baron Trump Riots
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on Fifth Avenue, political collapse, global reset, secret knowledge, underground cities,
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ancient symbolism, and time distortion. And what if I told
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you that the man who analyzed Tesla's confiscated notebooks, John G. Trump,
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was Donald Trump's own uncle. And We've talked about that
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in another episode. But I'm putting these together because they
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there is some overlap. But bottom line is these aren't
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wild leaps. These are documented facts and the only thing
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missing is what you do with them. So today we're
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pulling all the threads Lockwood, Tesla, Trump, timelines, secret manuscripts,
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prophetic dreams, and power structures you were never supposed to question.
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I'm going to walk you through each book Lockwood wrote,
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tie them to real world events, and show you how
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this rabbit hole goes deeper than anyone's ever dared to admit.
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And me, you'll start to see the same pattern that
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I did and that many others have as well. And yeah,
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I'm asking you Now, like Sharon review this podcast, this
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one's going to plant some seeds and I want to
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make damn sure that they grow. So let's start this
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off the Lockwood legacy. He's more than just a writer.
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Let's start with the man himself. Ingersoll Lockwood wasn't some
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eccentric recluse spinning yarns from a dusty attic. He was
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born in nineteen forty one in Austining, New York, same
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time that houses Sing Sing Prison. And no, that's not
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a throwaway detail. His dad, his father, Munson Ingersoll Lockwood,
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wasn't just the warden there. He was a general in
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the New York State Militia, a lawyer, and a close
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friend to Henry Clay, who was one of the most
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influential political minds of the nineteenth century. So Munson Lockwood
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also raised money for Loghosts. Kosuth the Hungarian Revolutionary. I'm
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not sure if I pronounced that name correctly, but that's
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going to happen a couple times in this episode. The
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Hungarian Revolutionary who was basically the poster child for anti
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globalist sentiment in his time, and Munson helped found a bank,
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established Dale Cemetery, and ran civic circles, like he was
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setting up a shadow government. This wasn't a normal family
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and was a family of power players. So young Ingersol
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grows up, steeped in law, steeped in politics, global ideals,
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and instead of becoming a Wall Street puppet, he pivots. First,
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he's appointed by President Abraham Lincoln himself as the US
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consul to Hanover, which was in Germany in those days,
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at just twenty one years old. Think about that. You're
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barely old enough to drink well, drink now, and suddenly
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you're stationed in one of Europe's most elite cultural hubs.
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Now here's where the timing gets interesting. Slightly, that's loose,
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but it's still there in that same region Kolstad Bavaria.
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Frederick Trump, Donald Trump's grandfather would be born just a
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few years years later, in eighteen sixty nine. Now, Lockwood's
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time in Hanover was in the early eighteen sixties, so
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was their contact. It's unlikely, but the terms of geopolitical
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overlap and proximity, it raises eyebrows. So one man leaves
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Europe with blueprints in his mind. Another man's blood bloodline
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rises to power. One hundred and fifty years later. It's
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not proof, but it's not nothing either. So when Lockwood
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returned to the States, he practiced law with his brother,
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Henry Clay Lockwood, named after the same Henry Clay who
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mentored their father. But soon Ingersol walked away from the
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courtrooms and the contracts and into something much stranger. Between
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eighteen ninety and eighteen ninety six he released a series
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of books. Yet if you read them today, hit like
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a punch to the gut. Travels and Adventures of Little
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Baron Trump and his Wonderful Dog Bulger Book one. Second,
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you have Baron Trump's Marvelous Underground Journey Book two. And
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then the third book has two titles nineteen hundred or
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The Last President. Then you have Laconics of Cult and
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his final book, a poetry collection, Tilt. It's titled in
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Varying Mood or Jetsam, Floatsome and Ligan. I'm not sure
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what that means, but that's what it is. So what
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connects them isn't just the strange names or obscure publishing dates.
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It's the feeling you get when you read them now,
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like you're not supposed to be reading them, like they
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weren't written for people in the eighteen nineties. Let me
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be blunt ingersol. Lockwood was either insanely ahead of his
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time or he was writing from outside of time entirely.
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His Baron trump Book Baron trump Books follow a young
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aristocrat on a guided journey to an underground civilization filled
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with symbolism, time loops, ancient wisdom, and altered reception. His
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political thriller The Last President outlines mass unrest, class warfare,
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and a political outsider rising to power in a way
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that sounds eerily, eerily like twenty sixteen. And then there's
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Laconics of Cult, where Lockwood drops the mask. No more fiction,
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just straight up reflections on corruption, shadow rulers, and truth
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behind that are hidden in plain sight. It's like he
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knew he had to switch gears and just say it
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outright before time ran out. You can't ignore this pattern.
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Lockwood's entire literary career unfolded like a layered riddle. First
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the fantasy, then the political revelation, then the philosophical manifesto,
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and finally poetry that reads like a farewell to this
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world and a veiled dispatch to the next. This wasn't entertainment.
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It was intentional. He was planting something, something we weren't
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supposed to find maybe until now. So Baron Trump's underground odyssey?
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Is it allegory or actuality? Now we had down the spiral,
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let's talk about Baron Trump. His actual name in the
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book is Wilhelm Heinrich Sebastian von Trump. Lockwood didn't just
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create a precocious boy in a castle. He gave him
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a mission, and he handed him a guide. Not a man,
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not a wizard, but a manuscript, a fifteenth century document
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penned by Here we go with the with the pronunciation
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Don Dan, Don Constantino, Bartolomo step Holo, fidje goater neeres fun.
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That's where we got it, known simply as Don fum.
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All right, I'll put the name in the show notes
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so you can Maybe there's some sort of code in
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there or something. But either way, you see, this isn't
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your typical hero's journey. This is a map within a mystery,
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a cryptic alcho chemical guidebook titled a World within a World.
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That phrase alone set off alarm bells for me. This
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isn't Peter Pan or Alice in Wonderland. This is Lockwood
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whispering through history. With Bulger, his loyal dog at his side,
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Baron departs Castle Trump and heads to Russia, not England,
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not Spain, not an anywhere else on the tourist map. Russia,
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in fact Siberia the frigid threshold between our known world
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and the ancient unknown. Why because that's where the entrance
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to the world beneath lies. The journey isn't random, it's strategic.
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And the further Baron goes, the weirder this all gets.
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So we've got the frozen wastes and time distortion within
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this book, and Baron traverses frozen tundras, stumbles upon time
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warping valleys, and meets beings that don't live in time
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the way that we do. They're ageless, they're eternal. He's warned,
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he's tested, and most importantly, he begins to lose his
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sense of what's actually real. And the book doesn't use
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modern terms, but let's not pretend we don't recognize the
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signs dimensional bleed through chronoslippage and temporal displacement. We're talking
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about time travel, not with flux capacitors, but with cosmic permission.
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Think about how many explorers and mystics over the centuries
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have written about hidden lands, inner Earth, and shifting realities
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beneath the ice, from Hyperborea to Agartha to the Nazi
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obsession with hollow earth myths. This is in fiction. It's
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basically pattern recognition. Next we have the world turtle, which
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we guess now this is a turning point. Deep within
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the subterranean realm, Barren encounters a being hostile, not even
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sentient in the way we measure it, but sacred. The
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world turtle massive, ancient, silent, the kind of presence that
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shuts everything up inside you. And yet in that silence
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it speaks, volumes. The turtle doesn't fight, it doesn't move quickly.
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It's a turtle. It simply exists, as it has always existed.
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The word world turtle is a universal archetype found in Hindu, Chinese,
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Native American, Mesoamerican myth. It holds the weight of the
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cosmos on its back. It represents balance, wisdom, and the
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eternal nature of truth. And here it is tucked into
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a nineteenth century children's book like it's just another plot point,
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but it's not. This is the moment Baron, the impulsive
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young aristocrat is brought to a full stop. His mind
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is forced into stillness. He has to watch, listen, and
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most importantly wait. It's the turtle that teaches him the
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nature of reality, that not everything is meant to be conquered,
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Some things are meant to be understood through stillness sound familiar.
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This echoes through every major esoteric teaching her Meticism, Buddhism,
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Christian mysticism. The still point, the place between Lockwood, was
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embedding sacred archetypes into what most people mistook for fantasy.
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Now we move to the hollow earth and the esotery underground.
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Baron's journey then continues through what can only be described
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as hollow our cities, civilizations that live beneath the crust,
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operating on different laws of nature, possessing technology and spiritual
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insight far beyond what's going on in the surface world.
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This concept isn't just pulled from a novelist's hat. It
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parallels the journeys of a I'm going to say it,
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Admiral Byrd, the Agartha Legends, and even the Inner Earth
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speculations of Theosophy and naziicult science. The deeper Barn goes,
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the more unrecognizable reality becomes. He's in a world that
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doesn't follow our rules, where time is nonlinear, thought, shape, matter,
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and identity begins to dissolve. So what was Lockwood really writing,
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because that's the question that's hung over this book for
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over a century. Was this just fantasy, a clever allegory,
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or was Lockwood trying to encode something, something hidden, sacred,
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or dangerous into a narrative that would only make sense
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to us right now, Because here's what we know. He
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wrote about a boy named Baron Trump decades before the
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real one existed, really ondred, yeah, one hundred years. He
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placed that boy in Russia, following a manuscript of ancient knowledge,
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into a hollow earth, realm of higher beings and timeless truth.
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He embedded the world turtle, a symbol of cosmic architecture,
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right in the middle of the story, and he ended
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the journey not with conquest, but with contemplation. This is
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not a children's book. This was a riddle in plain sight,
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a mythic map disguised as fiction. And it begs the
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next question. If Baron Trump's underground journey was the initiation,
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then the last president must have been the prophecy. The
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last president a warning ignored. Now this is where things
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stop being symbolic and start sounding scripted. All right, nineteen
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hundred or the Last President isn't subtle. It opens with
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an America in full collapse, panics panic on the streets
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of New York. A political outsider has just won the presidency,
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and the people, those who'd been fed on fear, on class, rage,
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and hopelessness, they erupt sound familiar, let's talk specifics. The
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opening chapter lays out death to the rich man, death
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to the gold bugs, death to the capitalists. Give us
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back the money you've ground out of us, Give us
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back the marrow of our bones, which you've used to
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grease the wheels of your chariots. That isn't just discontent,
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that's a civil reckoning. And the mob they're not headed
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for the capital or the White House. They're marching down
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Fifth Avenue. Let that sit for a second. Fifth Avenue,
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same Fifth Avenue where Tower now stands in the book,
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their first target is the Fifth Avenue hotel. And as
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the chaos unfolds, the gas lines are blown, the power
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grid goes down, the streets are lit by the flames
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of mansions burning. That's not a metaphor, that's war. The