May 16, 2025
Exposing the Darkness: Ward Hiney on Appalachian Lore, Deliverance, and Supernatural Warfare


What happens when the veil between the natural and supernatural grows thin? In this powerful episode of Broadcasting Seeds, Bennett Tanton sits down with Ward Hiney—filmmaker, storyteller, and the creative mind behind Dark Holler Studios. Known for their gripping docuseries that blend Appalachian folklore, deliverance ministry, and real-world spiritual warfare, Ward takes us deep into the shadows where faith meets fear. We explore:
- The inspiration behind Dark Holler and how Ward’s work bridges the gap between horror, healing, and holiness.
- The very real spiritual oppression present in the Appalachian region—and why it matters now more than ever.
- The connections between generational trauma, demonic influence, and high strangeness.
- How film can be a tool of both revelation and redemption.
👉 Watch Dark Holler:https://www.darkholler.com
Listen to Ohio Howl : https://podcasts.apple.com/us/podcast/the-ohio-howl/id1719913491
🎧 Subscribe for more supernatural deep-dives and faith-fueled investigations.
#DarkHoller #WardHiney #SpiritualWarfare #BroadcastingSeeds #DeliveranceMinistry #AppalachianFolklore #HighStrangeness #ChristianMysticism #FaithAndFilm
Become a supporter of this podcast:https://www.spreaker.com/podcast/the-broadcasting-seeds-podcast--6402290/support.
WEBVTT
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All right, ward, tell us who you are and what
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you do.
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Yeah, I am a documentary filmmaker. I've been doing documentary
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related stuff for probably a little more than a decade now,
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oh more than that, Like, yeah, and the last probably
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four or five of which have been directly related to
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subjects of high strangeness in the paranormal. And yeah, that's
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what I do. I now own and operate Dark Color Studios,
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which is a production company specifically aimed at doing these
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kinds of things. So I direct we call them high
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strangeness adventure films. So we specifically take an experiential approach
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to these topics and places, go to them in an
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attempt to explain, examine, I guess more than explain, really
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examine these phenomena in the human experience that constitutes it
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for ourselves by interviewing witnesses and then being in places
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where these things happen.
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So so say that again, what do you call them now?
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Like I call them high strangeness adventure films.
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I think it's perfect.
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We make an attempt to place the audience sort of
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along with us on the trip, so they get to
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experience the thing that we're experiencing in a fairly direct way.
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That has more to do with like the aesthetics of
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the filmmaking, but it's a philosophical bent that we have
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that way. Rather than like telling stories merely or talking
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about the history of a thing heavily, we focus on
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the experience of it.
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Yeah, it sounds way cooler than documentary film. You know,
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let's be honest. I mean so high strangest adventure film.
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That's awesome. So you kind of alluded to like dark
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collar and whatnot, dark color films. But what obviously you're
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older than that, so what got you into high strangeness?
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Like what was what? What was like your gateway to
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this world of Yeah, frankly craziness sometimes.
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Right, Yeah, I can start that story, like, you know,
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years before anything actually happens.
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I could.
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You know, my father was a pretty contrarian, sort of
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conspiratorial minded guy, and I got some of that, so
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I'm already kind of probably predisposed to sort of turn
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narratives on their side and look at them in different ways.
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So that's probably like a foundational point of it. But
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I had never you know, I grew up in Christianity,
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and by the time I was maybe probably like a
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pietistic fundamentalist version of Christianity, which had fairly well made
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me close to an atheist by the time I was
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like say, twenty early twenties, and sort of the big
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thing that was a challenge to that then was the
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new atheism movement, Richard Dawkins, Chris Hitchins, Sam Harris, those guys,
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and so I found myself wrestling with that. And after
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I had kind of resolved that the apologetic that apologetic
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concern via the work of guys like Greg Bohnson and
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some evidentialist people as well, William Lane Craig and the like,
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that was what I was preparing for. That's what I
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thought sort of the big challenge to Christianity would be
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was that kind of stuff. And so I dove into
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apologetic arguments a lot. As it turns out, when you
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deny like transcendental meaning altogether, that's not very satisfying for
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very long for very many people. And so what's happened
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is that the you know, our society in general has
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been abandoning that in favor of finding transcendental meaning other places.
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And so spirituality in general quote unquote is where a
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lot of that's coming from. So that's kind of answering
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that question from a you know, the historic moment that
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I find myself in kind of angle. The other angle is,
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you know, personally what happened. So COVID happened to everybody,
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and it was a big, I think, red pill for
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everybody to kind of like looked at the narratives that
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you are being, the narratives that are handed to you
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and be like not sure. So in the middle of COVID,
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I had some friends that went real crazy on the
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conspiracy side. I had, you know, a gamut of friends
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that spanned the ideological spectrum with respect to like what
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are the how much can we trust mainstream narratives of anything?
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And at the same time I had run into Tom O'Neil,
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who was the author of I can't remember the name
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of the book, but it's a book about MK Ultra
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the CIA and they're involvement with the Manson family. Charles
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Manson very well researched sticks to documentable things, but it
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basically makes the case that Manson was connected with some
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of the mk Ultra stuff. That was one block. The
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second was I ran into a gentleman named ray b
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O'Shea who had a very strange story. He was the
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state director for Muffon, Nebraska in I believe like the
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late eighties early nineties, and was approached by some Department
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of Defense people, according to him, who presented him with
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evidence in this Their contention was that there were elements
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within intelligence agencies that were using ritual to contact entities
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that were identifying themselves as the pilots of the UFOs.
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And Bosha thought this was crazy. He's an act academic
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and Anglican priest and the reason they came to him
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was because he was both involved in the UFO subject
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at a high level and had this religious background as
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an Anglican priest. And it gets the story gets pretty convoluted.
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Nick Redfern wrote a book about it. But Bouchet contacted
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another like probably the most respected UFO journalist at the time,
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Linda Moulton Howe, who confirmed via third parties that something
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like this story was true, And so that was at
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least there were people in government outside of the people
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that were feeding Bouchet this information that believed it to
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be true. So that was kind of the second thing
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was like, oh, hold up, what is going on with
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the UFO thing? And oh, this is actually real? What
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should I think about it?
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Like the O'Neil book is Chaos, Yes, that's it. Yeah,
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I've read it too, but I couldn't remember it. I
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couldn't remember it.
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So yeah, the subtitle is very straightforward. It's just like
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ciamk Ultra and Charles Charles the title. Okay, So then
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the third thing, and this is probably the most you know,
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you can see the direction here. The third thing I
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ran into was this paranormal documentary series called.
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Hellier, Kentucky. Yeah, I've watched it.
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Yeah, it's a very popular It was a big deal
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in the paranormal community, and it caught my interest because
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the events, at least as they begin, occur very close
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to southern West Virginia, where I grew up is maybe
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an hour from Hellier, maybe a little more than that,
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depending on the roads have developed in the intervening years.
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But anyway, it's it's close.
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Enough that as the crow flies, it's not really that far. Yeah.
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And I knew I had a friend who'd I had
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known for many years who had planted a church down there,
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and after watching the Hellier series, I reached out to
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him and I said, Yo, you know, this is like
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kind of in your backyard our view ever encountered anything weird.
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And he said that.
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He's very very academic guy himself, a photographic memory, very intelligent,
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well read, not a not sort of a charismatic Christian,
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not sort of a like hit you on the head
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handle the snake's guy.
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That's not him, right.
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That he had said, Well, strangely enough, a few weeks ago,
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we had this situation where I had baptized this girl
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and I believe that in exorcism occurred in her baptism.
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And at the time I had gotten this is the
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this is dark holler, this is what becomes dark collar
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kind of the impetus for everything else. At the time,
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I had just gotten my own kind of freelance set
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up to do my own documentary work outside of my
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main corporate job. And so I thought, well, I'll go
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down and interview this girl who was at that point,
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like you know, joining the church, and just hear the
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story from her, and maybe interview Josh and then some
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of the people that witnessed it and see what's it
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was just going to make like a short YouTube thing,
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maybe for the church or maybe just to practice. And
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during the interview it turns out that there was a
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lot more history and a lot of stuff that happened
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leading up to this that was really obvious. And then
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as the we shot that one interview and then came
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back a month or two later and ended up like
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just making a bunch of really strange but to me
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as a person going through it into the people that
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were there, kind of undeniable connections and just weird synchronicities
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that we were able to document, and so that kind
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of you know, had to decide what to do with
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all of that, turned turned it into like a five
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chapter docu series. And after that, for I mean, that
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was a long process. You know, it's a year of
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editing maybe, yeah, and then afterward, you know, I myself
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belonged to a faith tradition that is typically not super
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open to this kind of weird stuff, like at least
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in its modern form, and so I was concerned that
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I would be perceived as some kind of wacko talking
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about these things belonging to like the faith community that
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I do.
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But as.
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God would have it, he had put me in like
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the one one of very few I would imagine congregations
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in my faith tradition that is apparently quite open to
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the reality of these things, and so I was able
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to have the support for that, and even over several
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months of practicing Lexio divina, it's like meditative reading of
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scripture and that kind of thing, came to the conclusion
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that I might be called to pursue this kind of thing.
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And I brought that idea, which, in again within my
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faith tradition is a crazy thing, like I'm a Reformed
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Protestant Presbyterian, Like, we don't do that kind of stuff generally.
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So I was like, well, let me bring this to
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a couple of trusted, you know, advisors, my elders there,
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and I was like, surely they'll shoot it down and
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say you better find something better to do with your time.
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But both of them that I brought this to, we're
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both like, well, that sounds like what you're supposed to do,
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so you should do that. And then the evening I
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remember the evening after having that second conversation, I was
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in prayer and I basically accept I was like, Okay, God,
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if this is what we're so what I'm supposed to do,
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you know, we'll do this until Bill, You're done, You're
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done with me doing it? And that night, all three
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of my children and myself had nightmares directly relating to
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the symbolism around the entity that we identified in Dark
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Collar and without me, I have not told my kids
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any of this at that point, right, So independently all
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of us had that experience, and at that point I
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was like, well, okay, so I think we're taking fire
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because we're over target. So that's kind of what's led
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to the rest of these films that I've done, many
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in in cooperation with Tony Merkle of The Confessionals and
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Joel Thomas of Free the Rabbits podcast. Those guys have
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become good friends, like minded guys in pursuing these things,
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and so yeah, that's kind of the cast of characters
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that we draw from as we woses.
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Right much is awesome. I mean, they do great work,
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right yeah.
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I Mean Tony's a really interesting one because he has
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what like seven hundred some episodes now of people that
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have experiences, and so you know, he can't remember all
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those stories in detail, but he's got a pretty good
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sense of like the general direction of the data on
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stuff that people are reporting. And it's not like, you know,
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unlike Bfroro, for Bigfoot or move on for UFOs or
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there's not really like a a high strangeness version of
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that where people collect a database of all these stories
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so that you can identify patterns and stuff. So guys
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like Tony or westermers sasquatch chronicles. Like if you look
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at the breadth of people that they've talked to, that's
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kind of that kind of is your data set and
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understanding that you know, not all of those people were
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probably genuine, but probably I think that after listening to
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a lot of them, a lot of them are. They're
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at least describing their perceptions as they experienced them.
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So yeah, yeah, yeah, I mean I'm sure he's got
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a pretty good BS meter. Yeah, at this point, it's
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a muscle that gets developed pretty quickly. I know when
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I was a cop, I helped that, you know, when
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I would get to a point where I could pretty
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much tell, uh, you know, what's real what's not. Yeah,
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it's body language and just gut right.
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So.
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So explain So, yeah, you kind of touched on it
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with Dark Collar. How that whole thing evolved like from
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the the you know, initially two interviews then I mean
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a rabbit hole. Yeah, if that's what we want to
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call it, some sort of hole.
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Yeah. Well, the the way that I experienced it is
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in talking with Kristin, who was the girl who baptized.
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She related that her mother had experienced a lot of
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