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One of the most grand secrets is the idea of generation.
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As far as you know the g and the Masonic Compass,
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you know, they say the secret is generation, and it's
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the upper and the lower. You so you have the
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male and the feminine aspects, the upper facing triangle the
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lower and when you merge them, that sexual energy is
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generating you know, matter itself, and you kind of get
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into the Hebrew ideas of you know, pounding the universe
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into existence.
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All right, everybody, welcome back to another episode of Broadcasting Seeds.
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I'm your host, Bennettanton, and today we have a friend
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of mine from the Occult Rejects, Robbie Marx. Robbie, tell
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everybody who you are, what you do on where they
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can find you.
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Hey, it's good to come on and hang out for
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a minute. I am Robbie Marx or our Marx. I'm
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an artist and illustrator. I've been a professional artist for
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about thirty five years, and during that time I've had
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the opportunity to research deeply into a lot of ancient
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texts and kind of philosophical ideas and it's just kind
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of been part of you know, what I've done for
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the last thirty five years. But if anybody wants to
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check out any of my art or link up with
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me social media wise, check out my Metalmind Cast podcast.
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You can go to my link tree which is link
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tree R M A r X R Marx and that'll
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pull up everything for you.
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Yeah, he's got great content too, folks. I love it
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yet lost. Yeah, but for people who are just discovering you,
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who is Robbie Marx and what path led you into
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this world of hidden knowledge and symbolism and all that.
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I mean going back into my childhood, I remember they
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used to have the Scholastic book fairs that came through,
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you know, and yeah, yeah, but I got this book
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on Strange Anomalies and there was a story about the
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Men in Black that came out of the Hollow Earth
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and they were like watchers, you know, and they would
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come and basically just watch people, you know. And it
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said that they didn't have any taste buds and the
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only thing they could taste was hot sauce, so whenever
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they would eat, they would put hot sauce on it.
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So and you know, and I'm watching the twilight Zone
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and I'm watching Stranger Things, and I'm kind of just
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like growing up in a lot of the pop culture,
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and I was always kind of drawn towards the strength,
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you know, and I was always drawing as well, so
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you know, I was drawing like outer space scenes and
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like little animals that were ninjas and jacked up you know, corvettes,
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and so I was always into like, you know, kind
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of the edges of pop culture, I guess, And as
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I grew older, I wasn't really raised with any religion.
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My parents were very not that they didn't believe in God,
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we just never you know, I was. Yeah, So I
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at a what was it about thirteen or fourteen, I
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really started getting interested in different religions, and so I
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started visiting different you know, Baptist churches and Pentecostal churches
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and kind of Catholic churches and just seeing all the
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different you know, how they acted and interacted and you know,
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seeing them get the Holy Spirit coming into them and
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seeing the Pentecostals playing with serpents, and just like, uh,
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it's uh, you know, and I kind of never uh
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took any of it on. I kind of just looked
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at it as the natural spectrum of of what reality was.
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And doing the art of course, you know, you're you're
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drawing these various symbols, and you're incorporating these things into
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your work, and even color theory, you know, and how
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color affects the sensibilities and and the psychological effects of
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light itself.
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You know.
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So I've gone kind of gone down all these different
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rabbit holes, and I just, uh, it's it's, you know, philosophy.
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I look at it all as philosophy, you know, the
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love of wisdom and and kind of gathering all these
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things and and just seeing how incredible and how strange
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the world that we live in is.
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Yeah, absolutely so. Was there was there a single moment though,
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that made you real like reality might be deeper than
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what we were.
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Taught, right, Oh yeah, Yeah, Well that's the whole thing.
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You know.
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You see these stories and you see uh kind of
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you start to understand these symbols, and then you're tracing
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down these different religions, these different mystery schools, and you're
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kind of seeing, you know, you like, I began to
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understand and see the the rise of the ideas of
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transcendentalism and transubstantiation, you know, in the histories as far
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as you know, moving from this idea that we're locked
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in this uh kind of neutral place or the shield
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you know, inside the earth, to the ideas that we
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can transmoderify through these different levels of the heavens, you know,
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from the Buddhists talking about, you know, climbing back to Nirvana,
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the Kabbalists, you know, climbing the UH, the you know,
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tree of life.
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It's just you.
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You just find these ideas of higher essences of thinking
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and then you begin, you know, with it as far
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as participating in reality, and you start to have some
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of these experiences that are transcendental, and you know, then
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you begin to achieve some sort of a nosis and
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understanding that you know, all of reality is mental, but
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is physical actually physical?
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You know, it's uh. What what subjects do you think
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mainstream culture like, what do you think they're avoiding the
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most right now that they probably shouldn't.
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Be Probably, I would think, you know, when we get
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into the sac the the ideas of sacredness and what
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this reality is essentially, you know, one of the most
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grand secrets is the idea of generation. As far as
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you know, the g and the Masonic Compass, you know,
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they say the secret is generation, and it's the upper
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and the lower you. So you have the male and
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the feminine aspects, the upper facing triangle the lower and
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when you merge them, that sexual energy is generating you know,
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matter itself, and you kind of get into the Hebrew
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ideas of you know, pounding the universe into existence, and
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these sparks fly off, and these individual sparks are the
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souls of you know, the people you kind of just
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and and it's all kind of a metaphorical kind of language,
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like the language of the birds, where it's it's describing
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something that's outside of the comprehension there of what we
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are as humans. So it's ways to kind of understand
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these per senses that are necessarily indescribable.
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Yeah.
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You know.
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One of the things I always like that that you've
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talked about is like the Samerian texts. No, yeah, right,
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and what do those records tell us that modern education
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leaves out, do you think? Well?
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You know again, and I just listened to your episode
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on the flood, yeah.
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And that's where this is kind of fun.
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Yeah.
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Yeah, And you know the fact that the Samerian texts
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talk about that there was this flood Pashtu, and then
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you get into like in the Hindu culture. They have
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what was it, I think it was Rama that appears
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as a fish being that ties you know, the rope
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from the art to his horn and hauls them to
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dryly end. You have within the Judeo philosophy all of
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the miscellaneous, uh, you know, Noah's arc stories. You have
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the Native Americans. If you go out into the southwest
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of Native America. The reason that they said they were
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camping out on top of Mesa Verde out there was
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because there was a catastrophe or a flood that basically,
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and they wanted to be up high enough in case
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there was another one, you know, And that they were
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camping out and started gardening up there ten thousand years ago,
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you know. And then and there's petroglyphs there. So you know,
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these stories and and that's the whole thing when you
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think about the ice Age, you know, and the fact
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that we had ice sheets on top of North America
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that were upwards of two miles thick that were just
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you know, dragging all this sand and boulders up into
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the region I'm in, you know, in New Hampshire, and uh,
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and when things started to melt, because you even go
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back before that and then the Persian tales they have
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the stories of the var where it was the pervading frost,
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and you have like the Norse, the ice giants and
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the pervading frost there as well. So you have the
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story of before the ice age, the precipitation, and then
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you have all the flood stories after the ice age.
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And it's most probable that when you think about how
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thick this ice was as it started to melt, if
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it slid off into the major bodies of water or
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cleave like we see glaciers doing now continually at large rates,
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because the planet that was entering some new sphere within
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the heavens, you know, which they say happens cyclically every
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one hundred and twenty six thousand years, you know. And
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so is it probable that this addition of ice into
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the oceans could have caused the potential global flood that
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left those water marks on the pyramids that we see, Yeah,
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you know.
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And and go ahead, oh why not? You know, I mean,
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that's one of those things like that to outright deny it,
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it's miss don't right, You absolutely have no idea. So
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do you believe ancient civilizations knew more about like consciousness
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and energy or like astronomy, and we give them credit for.
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Obviously definitely, definitely when you get into Zoroastrianism, you know
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who lines up in many ways with Kush within the
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line of Noah. You have him basically establishing the school
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of the Magi. And the Magi, you know, their specialty
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was astronomy and astrology, and they would watch the heavens,
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you know, the heavens and uh, this is where we
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see the Magi basically seeing the star or the conjunction
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of these planets to coming together that happens. You know,
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there's a four hundred and ninety year cycle profit cycle
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that basically the Magi come and and there was another
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Magi star that was found when Abraham was born, and
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they thought that when they saw this star, that Greece
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was going to invade, you know, Uh, Nimrod's kingdom at
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the time under Tada, and Tara was basically his propaganda
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minister and kind of his you know, right hand man.
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And Tata's son, you know, was Abraham. So when they
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figured that this this new lineage was coming, Nimrod wanted
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to basically kill Tata's son, which was Abraham, you know,
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to stop this this coming of this new philosophy of
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transcendental you know the ability of the humans to be
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able to transubstantiate into the heaven that that these mystery schools,
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these early mystery schools were kind of preaching, you know,
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the ideas of life after death.
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Yeah, yeah, yeah. Do you think sites like what you
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kind of brought up the pyramids, but Egypt go backly
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Tappy to Tiba Khan and pyramids like you know, other
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pyramids connected. Do you think that this is like connecting
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a forgotten source civilization or is it something else?
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Yeah? I think I mean when you start to look
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at the pyramids and the way that they're built, and
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a lot of them, you have the three doorways on
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top of it, and you see those three doorways behind
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Da Vinci's you know Last Supper. You see those you
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know doorways in Indonesia, and and you know, symbolically you
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can trace these artifacts, these you know, through different styles
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of art that were precipitating. Hugh Fox. He is an
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archaeologist and he talks about He talks about Hindu art
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coming into the Peruvian area, and he also talks about
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Mesopotamian art specifically coming through the Phoenicians coming into the
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mayan Astec toll tech kind of area, and and you know,
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setting up colonies and and you can follow the spotted
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skins from Mesopotamia to the spotted skins in South America.
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You know that go back to this the skin of
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Nimrod in his you know, his power garment. So it's
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you know, and then I was just reading about the Philistines, right,
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and the Philistines. There's a couple of archaeologists that were
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able to through their pottery shards and the type of
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painting they were doing as well as the shape of
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the vessels that they were making, were able to trace
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the Philistines back to crete and crete you know, they
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were basically it was the city of the dead where
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they basically brought people to be taken care of for
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their life in the afterworld. So and they were kind
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of I think that you know, you can even and
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they oh and and create you have King Minnos, right,
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who is the son of Zeus. So these are the
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Minoans basically that are coming into Mesopotamia and they're calling
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them the Philistines. Yeah, you know, yeah, so and just
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tracing down these different lines and how kind of culture
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is just washing upon one another, and these ideas are
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flowing between cultures, operating under different names, but with the
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exact same symbolism and the exact same mythologies. Yeah, kind